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Showing posts with label Pop/Rock. Show all posts
Showing posts with label Pop/Rock. Show all posts

Wednesday, 26 May 2010

Myspace Magic: Midnight Playground



Once again, NME-Europe returns to Liverpool for their latest MySpace Magic featured artist. Midnight Playground are a four piece with a deep sound and have started to make a name for themselves on the local scene. Here's what we were able to discover...

NME-Europe: Who are you and how did you come about?
MP: Hi I'm Martin (lead singer of Midnight Playround and guitarist). I met the other guitarist (Andrew) in secondary school and then we just started jamming and writing songs for a bit fun. But then we both thought 'these songs are too good to be just for fun' ;) so we decided to look around for new members to fill the line up. We asked a good friend of ours Chris (Bassist) to join then it was just the tree of us. We've been through a fair amount of drummers and changed our sound a lot and in the end we decided to ask a college friend of mine to play drums and he jumped at the oppurtunity. So, Midnight Playground were born!

NME-Europe: What's the reason behind your name?
To be honest I actually don't know where the name come from. Andrew is the one who named the band and we thought it sounded good so we stuck with it.

It is quite a smart name, I must admit.

NME-Europe: The dreaded question. Describe your sound!
MP: When we've played live a lot of people have described and compared our sound to the likes of Echo And The Bunnymen, Editors, White Lies, The Smiths, Joy Division, Talking Heads and just mainly that post punk vibe, which is great to be compared to. Personally, I think there are lots of different influences floating round because we all like different music and it just all comes together to produce what I think is a new creative sound.

NME-Europe: You haven't released anything yet. Is there anything in the pipeline?
MP: We are planning on releasing a 4 or 5 track e.p. Hopefully we will have something released in the summer maybe closer.

NME-Europe: What's your favourite album at the moment? Can you remember which particular band/album/track got you into music?
MP: Hmmm, my favourite album at the moment would be Mumford & Sons album because it's just epic! Either that or Paramore's new album but I'll just say Mumford & Sons to look cool!

In terms of initial music experiences, it was probably the likes of Luther Vandross, Sam Cooke and everything Motown because of my mum. But what started me playing guitar and actually writing music would have to be Bruce Springsteen, notably his 'Born To Run' album.

NME-Europe: Finally, what can we expect from Midnight Playground in the coming months?
MP: We hope in the next 12 months that we're still writing brilliant songs and hopefully be giging all over the UK and slowly building a fan base. It would also be nice to record a full album!

Well, there are a lot of objectives there to keep driving Midnight Playground on. I suggest you have a look at what they have to offer on their MySpace page.

NC

Last 5 NME-Europe interviews:
The Savalas (Rome, Italy)
The Pin-Ups (Manila, Philippines)
Buzzradio (Liverpool, UK)
The Manse (Liverpool, UK)
A Number Of Fires (Liverpool, UK)


Read all NME-Europe interviews

Wednesday, 19 May 2010

Album Review: Foals


Foals: 'Total Life Forever' (Warner)

1. Blue Bloood
2. Miami
3. Total Life Forever
4. Black Gold
5. Spanish Sahara
6. This Orient
7. Fugue
8. After Glow
9. Alabaster
10. 2 Trees
11. What Remains




Weird or unique? It's taken me countless listens to this album to decide and I'm still none the wiser! Foals, the Oxford quintet who made as much a name for themselves for ditching their high profile US producer (TV On The Radio's Dave Sitek, in case you're interested) as for producing a stunning debut - Antidotes - are a quirky bunch. Perhaps that's what makes their music so gripping.

Follow up Total Life Forever is wonderfully chaotic. It will need a few outings for listeners to get their head around it, but it's worth being patient. Opening track 'Blue Blood' is a prime example of what Foals are all about. A simple chord is enough to reel you in, before the track bursts to life and you're hooked. Marvellous piece of music.

The rest is an eclectic melee of sounds and emotions ranging from the chirpy 'Miami' to the profoundly chilling 'Spanish Sahara' - and where tracks like swirling Bloc Party-esque 'Black Gold', complete with its ominous announcement that "the future is not what it used to be" or 'After Glow', which is volatile in crescendo, also play a major role.

With lead singer Yannis Philippakis also sounding a lot more assured, the only logical conclusion to reach is that Total Life Forever is a neither weird nor unique. Quite simply it's bloody brilliant!

NC

NME-Europe rating: 8.5/10
Top Track: 'Spanish Sahara'

Watch a vid...



Last 5 NME-Europe reviews:
The Golden Filter: 'Voluspa'
Los Planetas: 'Una Opera Egipcia'
Cybiont: 'Angels And Demons'
Two Door Cinema Club: 'Tourist History'
The Soft Pack: 'The Soft Pack'



Read all NME-Europe reviews

Monday, 17 May 2010

Myspace Magic: The Savalas


Following our extensive coverage of the SOS4.8 Festival, normal business is resumed with a return to our MySpace Magic feature. The latest band to hog the limelight is The Savalas, an alternative rock band from somewhere in Italy. Having been tipped off by another recent myspace magic band, BuzzRadio, NME-Europe decided to find out more....

NME-Europe: Buongiorno - that's as far as it goes. Who are you and how did you come about?
Sav: The Savalas is an Italian alternative rock band that started in 2005 from the ashes of different bands of our area : Dasazert, an alternative metal band and Dissectional, a Tool tribute band. We're from San Gemini, a nice medieval town in the woods not far from Rome.

At present the core of the band is two people: Me (Clito), on vocals and Giangi on drums. We are currently rebuilding our live line up, which will also include a bass player, a guitar player and a jack-of-all trades on samples, keyboards and guitar.


NME-Europe: What's the reason behind your name?
Sav: We just wanted a name who could represent our ironic side, and so we decided to honor one of our movie heroes, Telly Savalas. We had the idea watching an old Kojak episode. That man was a complete genius.

I resist the temptation to ask about lollipops...

NME-Europe: Dare you describe your sound? Tell us about what has influence you.
Sav: Our music explores a great variety of musical territories and atmospheres in a free and peculiar style.
Our influences are too many to quote: from Faith No More to Tool, from Jane's Addiction to The Beatles, from Fela Kuti to traditional chinese music, lots of music but also literature, visual arts. We also pay close attention to social issues, and it's the case in our next album.

A wide-range of inspirational sources there!

NME-Europe: Your 'next' album? What are your releases to date?
Sav: Up to now we have released two EPs, Hot Dog for Frank (2006) and Plastic Pills for Happy Passengers (2008).

We just recorded our first album, Pornocracy, under the Californian sun. It features some of the greatest alternative musicians such as Nick Oliveri (Queens Of The Stone Age, Kyuss, Mondo Generator), Martyn Lenoble (Porno For Pyros, Jane's Addiction, Dave Gahan) and Scott McLoud (Girls Against Boys, Paramount Style) alongside Massimo Pupillo (ZU, Mike Patton) and Xabier Iriondo (Uncode Duello, Afterhours). The album is produced by Alex Pappas (ex Finch) and supported by the American label, Above Ground Records.

An impressive line-up...
Yeah! It was amazing how these people accepted to collaborate with us, only on the basis of the songs we sent them.

NME-Europe: Have you got any gigs lined up to promote the album release? Who would you choose as your support artist?
Sav: We're still looking at gigs. If we could ideally choose an artist (cue dream mode!!!) it would have to be Jane's Addiction or Nine Inch Nails, not for the show but the party girls backstage.

Hmmm....

NME-Europe: What's your favourite album at the moment? And if you look back, can you remember which particular band, album or even track got you into music?
Sav: Giangi's favourite album right now is the last jaga jazzist, my favourite one at moment is MGMT and The Beatles Remasters. Giangi's original influence was Faith No More, whilst it was Queen who got me going.

NME-Europe: Finally, tell us about your objectives/prospects for next 12 months?
Sav: Well, ideally we'd like to find a European partner label, release and promote the album, book and play a tour in the U.S and in Europe and in general spread Italian Pornocracy across the world...

For now, readers can check out a couple of their tracks and a video about their imminent release, Pornocracy.

NME-Europe would like to thank Clito from The Savalas for taking the time to talk to us and wishes them the very best with the album release.

NC







Last 5 NME-Europe interviews:
The Pin-Ups (Manila, Philippines)
Buzzradio (Liverpool, UK)
The Manse (Liverpool, UK)
A Number Of Fires (Liverpool, UK)
My Raining Stars (Lyon, France)


Read all NME-Europe interviews

Tuesday, 11 May 2010

Special Feature: Tristan Clopet



Having recovered from the SOS4.8 hangover, NME-Europe gets back down to business with a special feature from an artist from across the pond. The son of an Englishman, Tristan Clopet is based in Miami, but the worldwide web is rapidly turning him into a global product. This one-man band, who produces music with the uumph of the Chili Peppers and the lyrically power and vitality of a certain Jeff Buckley has just released a six-track EP titled Purple, which is available for download á la radiohead at the following link.

Suitably impressed by what was on offer, we decided to find out a little more about the man himself and his album.

NME-Europe: Hi Tristan. You're known in over 50 countries, where do you hail from?
Well, I was created by a chemical spillage on the brinks of Prince Edward Island. I sing and play a bunch of instruments too.

Another case of "blame Canada" perhaps...

NME-Europe: What do you sound like? Who has made you want to sound like that?
TC: Sounds like if a bunch of carrier honey bees spilled all of their collective honey at once onto a gramophone and then went to the kitchen and added bits of Heath bar.

Erm.... Think I'll stick with my Pepper-Buckley crossover....

Yeah, when I first heard 'Sir Psycho Sexy' I felt something special. It changed my whole disposition.

Now that makes more sense. You get a good impression of where this young man is coming from if you watch some of his cover version videos available on his YouTube channel. 'Cousins' (Vampire Weekend) is my pick of the bunch...



NME-Europe: You've just released Purple. Is this your debut?
TC: No, I previously released another EP, Duende. Duende and Purple are brother and sister, though I can't tell which is which. I think Purple has the perfect balance of songs – from those that are ideal for sitting back and relaxing, to those that make you want to get up and dance.

NME-Europe: Apart from your internet coverage, have you got any promotional gigs lined up?
TC: We're touring the east coast this July. Tour dates can be most accurately found on my website. We'd love to be supported by the Jonas Brothers. We heard they could bring a few people to the show in Savannah.

That must be the first time Jonas have been mentioned on NME-Europe!

NME-Europe: And what's on the agenda for the near future?
TC: We'd like to be touring full-time (preferably with the Jonas Brothers, but not a deal breaker) and we'd love to release a full-length and perform it over and over for new people of every shape, color and creedence.

Thanks Tristan, what say we have a little glance at your latest EP, Purple?
TC: Cool. I know time is scarce, but if you could give it a review, I’d love to read it. Even if it’s negative, I really respect your taste, and would be interested to hear what you think.

Last 5 NME-Europe interviews:
The Pin-Ups (Manila, Philippines)
Buzzradio (Liverpool, UK)
The Manse (Liverpool, UK)
A Number Of Fires (Liverpool, UK)
My Raining Stars (Lyon, France)


Read all NME-Europe interviews

Tristan really knows how to sweet talk a man! How could I refuse him a review?!


1. Proximity Bomb
2. So Alive
3. Etheral Evidence
4. Superficiality Is A Sin
5. Love And A Question
6. Black Panther Party






It's often difficult to assess an artist on the basis of an EP - they tend to be too short and rely too heavily on 'likeable' tunes - but you get the feeling that Tristan Clopet is a little different. With his second release, Purple, Clopet clearly lays his cards on the table and offers a well-crafted mix of catchy rock and captivating ballads. Tracks like 'Proximity Bomb', 'Superficiality Is A Sin' and the closing 'Black Panther Party'  clearly support Clopet's claim that 'Sir Psycho Sexy' "changed his whole disposition" - the hint of the Chili Peppers is plain for all to hear. In between, Tristan has the opportunity to manifest his lyrical and vocal skills, an opportunity which he grasps with both hands, in particular on  'So Alive', my personal favourite.

Purple is a well-produced EP and Clopet shows he has the potential to take his prowess one stage further, should the opportunity to cut an album arise. NME-Europe looks forward to it.

NC

The EP is available on "a radiohead" at http://tristanclopet.com/, so you can pay what you like for it. If you're feeling the financial pinch, NME-Europe is giving away 3 copies, along with a Tristan Clopet t-shirt. All you have to do is visit our Facebook page, become a fan and add a comment to the Tristan Clopet note. There'll be a t-shirt on the way to our favourite comments.


Before you do, have a listen to the EP on our player.






Last 5 NME-Europe reviews:
Los Planetas: 'Una Opera Egipcia'
Cybiont: 'Angels And Demons'
Two Door Cinema Club: 'Tourist History'
The Soft Pack: 'The Soft Pack'
Los Punsetes: 'LP2'

Read all NME-Europe reviews

Thursday, 6 May 2010

Album Review: April's Top Of The Pops



April was a busy month, but there was still time to listen to some real quality...

Cybiont: 'Angels And Demons' (rating 8.25/10)
Often, when a an album is classified as "intriguing" it usually means the same as when you classify a girl as "friendly". However, in the case of Cybiont's 'Angels and Demons' such euphemisms go flying out of the window. In fact this album goes beyond intriguing, it is fabulously fascinating. Read more.


Los Planetas: 'Una Opera Egipcia' (rating 9/10)
15 years on, lead singer J and Co. have once again managed to surpass that expectation and produce another album, their eighth, which can only serve to convince their legion of unconditional fans that they are from another dimension. Read more.





Caribou: 'Swim' (rating 7/10)
Hypnotic rhythms combine with thumping bassline grooves (check out 'Leave House') on Canadian Dan Snaith's third release.





Klaus & Kinski: 'Tierra Trágalos' (rating 7/10)
Quirky pop from this Murcian combo, who are making quite a name for themselves across Spain. Needs a couple of listens to get used to it.





Kyte: 'Dead Waves' (rating 7.5/10)
Delicate lyrics with emotive melodies result in a more than acceptable album, especially if you're feeling poignant.





Chew Lips: 'Unicorn' (rating 7/10)
Promising debut from London-based electro-pop trio. Some of the singles are destined to be dancefloor favourites this summer.




NC & JFH

Have a listen...







Also available on Spotify.

Read previous monthly summaries.

Monday, 19 April 2010

NME-Europe Live: The New Raemon, Sala Stereo, Murcia


The New Raemon: Bonitas y hermosas canciones

Fecha: Jueves, 15 de abril de 2010

Grupo: The New Raemon.

Local: Sala Stereo – Murcia.

Calificación: Muy interesante.



"....tu me hablas de colchones, yo te agobio con canciones, de deseos miserables, de una vida de desastres, sonarán todos los clasicos y un quejido lastimoso, varios puntos de sutura, todos los clichés de una ruptura".

El pasado jueves, 15 de abril, nos reconciliamos con el mundo (murciano) al llegar a una sala Stereo y encontrarnos con casi medio aforo bailando y cantando los temas que Ramón Rodríguez ha compuesto para su proyecto en solitario llamado "The New Raemon". Además otra sorpresa al entrar, nos "topamos" casi literalmente con dos miembros de la banda Standstill, Ricky Lavado (batería) y Ricky Falkner (bajo), que acompañan a Ramón en la gira, y que junto a Pablo Garrido (Sanpedro) a las guitarras y Marc Prats (Madee) en los teclados, forman un grupazo que hicieron las delicias de los que nos atrevimos a salir un jueves, teniendo que trabajar al día siguiente bastante tempranito.

Comenzaron por uno de sus mejores temas, 'La Cafetera', una canción pop de poco más de dos minutos en la que ya demostraron la calidad de su sonido y que lo mejor estaba por venir. Ramón y su banda desgranaron casi por completo los dos discos que tienen publicados, e incluso tocaron dos versiones de los también catalanes Nueva Vulcano, una de ellas "Te Debo Un Baile", integrada en su último EP, Cuaresma (2010), me encantó el cambio del rock al pop que hacen y sin perder la esencia del tema original.

De su primer disco "A Propósito De Garfunkel", el más coreado por los asistentes, escuchamos, además de La Cafetera, con la que abrieron el show, '¡Hoy Estreno!', 'Fuera Complejos', 'El Saben Aquel Que Diu', 'Mil Gracias', 'Hundir La Flota' y la maravillosa 'Tú, Garfunkel', con la que cerraron la primera parte del concierto, y que fue, simplemente, emocionante. De su segundo largo, "La Dimensión Desconocida" y desconocido para mi hasta esa noche, descubrí otros grandes temas: 'La Siesta, Variables', 'Dramón Rodríguez', 'La Gran Caída' (con confusión incluida en su inicio, el "do" no aparecía en ninguna cuerda. Risas, carcajadas) y 'Sucedáneos', entre otras.

Un concierto, en fin, emocionante e inolvidable, con un sonido maravilloso y un público entregado a sus letras oscuras y duras envueltas en melodías alegres y naif. También tuvimos reportera gráfica de la web tilllate.com, que se nos acercó para fotografiarnos a nosotros y a nuestras chapas. Echamos de menos a alguno de los críticos de la escena murciana, que cada vez se les ve menos a pie de calle.

JFH

Y el video de La Cafetera...



Last 5 live reviews on NME-Europe:
Final TalentoSOS (Murcia, March 2010)
Clint (Murcia, Marzo 2010)
Neuman y Capsula (Murcia, Febrero 2010)
B-Side Festival (Molina de Segura, Septiembre 2009)
Lemon Pop Festival (Murcia, Septiembre 2009)

Read all NME-Europe Live articles.

Wednesday, 14 April 2010

Album Review: March's Top Of The Pops



Plenty going on in March. Here's what was top of NME-Europe's pops:

Hot Chip: 'One Life Stand' (rating 7.5/10)
Opening track 'Thieves In The Night' seriously suggests this is going to be the one, a rampaging combination of deadly drums and sizzling samples ensures that 'Thieves' is the sort of track to hang about the eardrums for a while. Read more.



The Courteeners: 'Falcon' (rating 8.5/10)
Those of you expecting more 'Cavorting', 'What Took You So Long?' or 'Not Nineteen Forever'-type tracks are not going to find them here, but don't be mistaken, Falcon is a terrific album in it's own right and one Fray and the gang can be extremely satisfied with. Read more.


Los Punsetes: 'LP2' (rating 7.5/10)
Probablemente, dentro de unos años, no los escuche, sus canciones pierdan fuerza y no aguanten el paso del tiempo, pero ahora me divierte su música, y me lo paso bien escuchando sus letras llenas de ironía y acidez, que indagan en el “lado oscuro” del ser humano. Read more.


The Soft Pack: 'The Soft Pack' (rating 7/10)
An engaging combination of punk, garage and even grunge are in order for anyone who decides to give this four-piece an opportunity. Ten tracks in a little more than 30 minutes (with the first eight in just 20) give you a pretty good indication of the tempo on display. Read more.


Two Door Cinema Club: 'Tourist History' (rating 8.5/10)
A blistering combination of enticing electro and captivating guitar riffs are on display throughout the little more than 30 minute visit to this particular movie theatre. The pace is relentless as a series of catchy, easily enjoyable hits ensure the listener's attention is not allowed to wane at any time. Read more.



We also had a little time for....

Good Shoes: 'No Hope, No Future' (rating 7/10)
More intricate, indeed introspective follow up album from this London band. Not quite as engaging as their wonderful debut, but worth a listen.





Efterklang: 'Magic Chairs' (rating 7.5/10)
These 'Great Danes' are capable of some wonderful harmonies and Casper Clausen's lead vocals are sublime.




Midlake: The Courage Of Others' (rating 7/10)
More blissful crooning from this lo-fi Texan quintet.





NC & JFH

Have a listen for yourselves....








Also available on Spotify.

Read previous monthly summaries.

Wednesday, 31 March 2010

Myspace Magic: The Pin-Ups


Photo courtesy of The Pin-Ups

The latest MySpace Magic feature takes us about as far away from Liverpool as possible. This week we visit the Philippines to find out more about The Pin-Ups, a quartet whose clean-cut pop has definitely made a good impression at NME-Europe. They also seemed to take a liking to us "NME without the taint of corporate oppression? I like!", so it seemed only natural to find out a little more.

NME-Europe: NME-Europe had to check it's passport validity to get to you guys! Please let the readers know a little about The Pin-Ups.
PU:  We're from Manila. We've been signed to Know-It-All Records and Sutton Music Group in the U.S. and have also been included in a compilation under Manchester's Baby Boom Records. Mitch Singson and Raffy Bonifacio alternate on drums (depending on whoever is free!) Ryan Nachura plays lead guitar, Tanya Singh recently replaced Jennifer Tan on bass and vocals (she emigrated to the States) and Mondo (Castro) tries to sing.

NME-Europe: The Pin-Ups? A little vain, don't you think?! What's the reason behind that name?
PU: Well, we used to be called The Pin-Up Girls after Jennifer's Bettie Page T-Shirt. 

It seems logical that the 'girls' bit was dropped seeing as though the 'girls' account for only 25% of the line-up (although, many would argue that's enough!)

NME-Europe: What do you sound like?
PU: A lot of people have cited the 80s post-punk, 90s indie sound in our tunes. We love The Cure, Echo And The Bunnymen, The Smiths, Railway Children, Travis, Oasis, The Stone Roses, etc..

A fine pool of artists to draw influences from. There are currently nine tracks available on their MySpace player, so why not have a listen yourselves and see what you think?

NME-Europe: What are your releases to date?
PU: Well, there's Hello Pain (a full album), Taste Test EP, Taste Test: Expanded Menu, All Seats Are Taken and three other compilation albums (from Sony Music Philippines, Baby Boom Records and Jim Bean). We are currently recording an EP.

NME-Europe: How about The Pin-Ups live? Have you got any gigs lined up? And who would you YOU choose to support you, given the choice?
PU: We're playing at one of Manila's best 'holes-in-the-wall' - Route 196. If we were to choose a band, it'd be someone from Manila... either Valet Parking, Paranoid City or The Lowtechs!

NME-Europe: You talked about a lot of 80s and 90s influences, but what's your favourite album at the moment? Can you remember which particular band/album/track got you into music?
PU: Mondo's favourite album of all time is The Stone Roses' debut. My first album was Tears For Fears' 'The Hurting' and it had a profound effect on me.

Hmmm... non-committal on any current albums, then.

NME-Europe: Finally, what can expect to see from The Pin-Ups over the next 12 months or so?
PU: Well, we're playing with a new bassist so we need to get comfy there. There's also the new EP we mentioned, which will be mixed and mastered by Kramer, who's also worked with Galaxie 500 and Low to name a couple.


Seems like The Pin-Ups have a lot on their agenda right now. NME-Europe would like to wish them all the very best and thanks them for taking the time for talking to us. Popping out to see them live might not be an option for most, but a visit to their Myspace page is only a click away.

NC

Photo courtesy of Eddie Boy Escudero

Last 5 NME-Europe interviews:
Buzzradio (Liverpool, UK)
The Manse (Liverpool, UK)
A Number Of Fires (Liverpool, UK)
My Raining Stars (Lyon, France)
Christopher Young (Birkenhead, UK)


Read all NME-Europe interviews

Monday, 29 March 2010

NME-Europe Live: TalentoSOS Final - Reaction From The Winners


A little more than a week ago, NME-Europe offered extensive (and billingual) coverage of the final of the TalentoSOS contest which saw local Murcian bands Inkeys and Varry Brava win a slot at this year's festival, scheduled for the May Bank Holiday weekend.

As the article appeared to create a good deal of interest, we thought readers might also be interested in hearing what the winners had to say for themselves. Here's what Vicente (Varry) and Emilio (Inkeys) made of the event. Hats off to both for doing this in English, by the way.

Winners Varry Brava receive their €1,500 cheque

NME-Europe: So Vicente, Varry Brava were winners. I don't think many were surprised with that decision! Did you see yourselves as favourites before the final?
VB: Hi Nick! Thanks a lot for coming to the final last Thursday night. We didn't see ourselves as favourites at any moment. Even though people told us we were, we thought that the jury had a very difficult decision to make. The quality of the final was excellent, so when Johan Wald (MC) said our name, it was one of the best moments of our lives.

NME-Europe: Despite a growing reputation in the region, I think it's fair to say that you are going to be one of the 'lesser' known bands at the festival. Tell us what the crowd can expect. 
VB: To be in the SOS Festival is a prize for us. People who know us will see more of the same: a lot of dancing and a party atmosphere! Let's hope those who still do not know us are pleasantly surprised and join the concert.

Well I, for one, knew little of Varry Brava before last Thursday and I must admit I was really impressed by what I saw. In my opinion, they were the best of the bands on show. I'm sure everyone will enjoy their set, even if their time slot isn't exactly ideal (18.30 on May 1st).

NME-Europe: Which bands will you be watching yourselves?
VB: We don't know! We hope, at least, the manager of one of them will be watching us though! :D

NME-Europe: FInally, Vicente, What are the immediate plans for Varry Brava? What are your plans for 2010.
VB: At the moment, we have one self-published album called 'Ídolo' with 10 songs. We need to play around the country so we are confirming dates very soon! There's more about out forthcoming concerts on www.varrybrava.com. The big one, the SOS Festival, on 1st of May in Murcia!

Thanks a lot Vicente. Might we recommend a visit to that website to check them out. Apart from the concert dates, you can also listen to four tracks from that aforementioned album, plus a rip-snorting remix of 'No Gires' by fellow Murcianos, The Leadings.

Whilst Varry Brava were one of the pre-match favourites (despite claiming they weren't), Totana's Inkeys certainly emerged as the event's dark horses and picked up the other winning prize after a practically faultless display during the final. Here's what Emilio had to say about their gate-crashing antics.

Inkeys walk away from the TalentoSOS final with a 1,500€ cheque and a slot at the SOS Festival

NME-Europe: Emilio. Inkeys joint-winners. I think a lot of people were a little surprised with that decision! Did you honestly think you had a chance of winning?
Ink: Hi Nick. Firstly, we want to thank you for covering the event. It was an excellent night and it is surprising all the expectation the competition has generated.

Obviously we expected to win, if not we would not have done so!! :) No, I'm joking... The level was very high and of course it was difficult to win. Everyone in the room had favourites even before the bands started to play, so maybe the decision was not the correct one for many of them. However, we think the the jury made the right decision. We did a good show and after that show which was the result of many hours of rehearsal.

NME-Europe certainly think Inkeys fully-deserved to take on of the first prizes. Whether you like their style or not, they (along with Varry Brava) were better than the rest on the night, so warranted a winning ticket.

NME-Europe: Obviously, you are going to be one of the 'lesser' known bands at the festival. Tell us what the crowd can expect from Inkeys.
Ink: Well, if we look at this issue in a positive light, people will attend our concert with curiosity and we hope it will be to their liking. Nevertheless, we only think about having a good time at the festival, just the same as when we play at an ordinary concert at another venue.

As with Varry before, I'm sure festival-goers will like what they see (hear!).

NME-Europe: Which bands will you be watching yourselves?
Ink: Nada Surf is a must for everyone in Inkeys but there are other big names in the spotlight. Chris Cunningham, The Magic Numbers... I'm especially looking forward to seeing Lidia Damunt.

NME-Europe: Finally Emilio, what other plans do Inkeys have this year?
Ink: '11 razones para perder el sueño' (their debut album) is still being promoted. April is a busy month for us, not only for the SOS 4.8 (they appear on Friday 30th) but we're also recording some songs for an EP we'd like to release very very soon added to a video recording and a Fiestas de Primavera slot together with Rumor!, Varry Brava and The Leadings. A VERY BUSY MONTH!! After this, we'll split up and form a group of polkas. :)

We hope that the Murcia Scene goes like this for a long time and thanks for making it possible on your part.

Emilio is a likeable character. Inkeys are a likeable band. If you can't make their slot at the SOS4.8 Festival, you could at least check out their Myspace page.

NME-Europe would like to thank Vicente and Emilio for taking the time to talk to them and wish both bands every success at the SOS Festival.

NC

Tuesday, 23 March 2010

Album Review: Two Door Cinema Club


Two Door Cinema Club: Tourist History (Glass Note)

1. Cigarettes In The Theatre
2. Come Back Home
3. Do You Want It All?
4. This Is The Life
5. Something Good Can Work
6. I Can Talk
7. Undercover Martyn
8. What You Know
9. Eat That Up, It's Good For You
10. You Are Not Stubborn



Spring is upon us and having steadily built up a reputation during 2009 with an EP, a single and a couple of remixes, this trio from Northern Ireland have put together a debut release, 'Tourist History', which is guaranteed to put a spring in our step and destined to be one of the 'feel good' albums of 2010.

A blistering combination of enticing electro and captivating guitar riffs are on display throughout the little more than 30 minute visit to this particular movie theatre. The pace is relentless as a series of catchy, easily enjoyable hits ensure the listener's attention is not allowed to wane at any time.

From the opening beat of 'Cigarettes In The Theatre' you get the idea of what is on the agenda here and, whilst it is true to say that there isn't a great deal of variety in the style of the tracks, it's difficult not to get hooked to the beat.

If uncomplicated, unassuming, downright fun music takes your fancy then you will not be disappointed by 'Tourist History'. You'll be hard pressed to find a weakness at all on the album, in fact the only difficulty you'll have is picking out your favourite track. The aforementioned 'Cigarettes In The Theatre', 'Do You Want It All?', 'I Can Talk' or 'Undercover Martyn' all vie for pole position, but it has to be 'Eat That Up, It's Good For You' which earns the honour of NME-Europe favourite for its sensational guitar solo mid-track.  

As they croon on 'This Is The Life', "If this is the life then who'd argue?"  Who indeed.

NC.

NME-Europe rating: 8.5/10
Top Track: 'Eat That Up, It's Good For You'

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Last 5 NME-Europe reviews:
The Soft Pack: 'The Soft Pack'
Los Punsetes: 'LP2'
The Courteeners: 'Falcon'
Hot Chip: 'One Life Stand'
Vampire Weekend: 'Contra'

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Friday, 19 March 2010

NME-Europe Live: Final TalentoSOS, Sala 12ymedio, Murcia


For the first time the complete 'new and improved' NME-Europe team were together at a gig. Here's what each of us had to make of events...

Date: 18 March 2010

Groups: Inkeys, Newpakets, Los Últimos Bañistas, Varry Brava, Yer Soul

Venue: Sala 12yMedio (Murcia)


Ambientazo en la Sala 12ymedio para la final TalentoSOS 2010.
Un local lleno disfrutó de lo lindo con cinco grupos murcianos de indudable nivel musical, lo que demuestra que el creciente número de salas para tocar en directo ha favorecido el nacimiento de bandas jóvenes en toda la región no-typical, aunque algunos se empeñen en atribuirse el mérito. Además podemos considerar que alguna más podría haber estado la noche del jueves compitiendo por tocar en el SOS 4.8, Neuman por ejemplo.

En lo estrictamente musical Inkeys y Varry Brava se llevaron el premio gordo, 1.500 € y compartir escenario con grandes bandas nacionales e internacionales, eso sí a las 6 y media de la tarde, una hora más taurina que musical, aunque mejor no hablar de toros...

Fueron los mejores sobre el escenario y el jurado creo que acertó. Los totaneros Inkeys abrieron la noche con su canción más rockera y probablemente su mejor tema, "Es mejor", con lo que se ganaron a su público más fiel, aquel que siempre le acompaña en sus conciertos, pero también al resto de la sala. Las demás canciones a mi no me llegan tanto, pero he de reconocer que su sonido es muy sólido y tienen tablas sobre el escenario, a pesar de que les sobra alguna de sus tres guitarras.

El grupo de moda actualmente es Varry Brava y los demostraron, su italopop es bailable, divertido y con calidad, tienen presencia en el escenario y sus hits 'No Gires' y 'Radioactivo', con los que terminaron su tiempo, son temas que darán que hablar y bailar.

En el resto un poco de todo. A priori, Los Últimos Bañistas eran favoritos para los que los habíamos escuchado, pero su directo no fue el mejor, comenzaron muy fríos y con problemas de sonido, y eso se notó en el público. Su concierto fue in crescendo acabando con mucha fuerza pero no fue suficiente. El último tema, '¿Cuál Es? Lo Ves', muy al estilo Planetas, nos dejó con ganas de más. Hoy vuelven a tocar en el ciclo Microsonidos y esperemos que se desquiten.

Los dos grupos restantes me dejaron sensaciones agridulces, los electrónicos NewpaketS ofrecieron algo diferente y original en la escena murciana, pero el público allí presente no tuvo feeling con ellos (como diría un amigo, mucho gafipasti indie). Se fueron desencantados y mi sensación fue de pena, ya que su trip-hop, en otro escenario y con otro público, y estoy pensando en el Parque Torres una noche de verano, puede llevarnos definitivamente a levitar.

Por cierto empiezo a estar harto de los que no paran de hablar en los conciertos, o me hago mayor o la gente no sabe comportarse.

Cerrando el concurso Yer Soul, una banda con un sonido excesivamente Beatles, con sección de metales, pero que sólo me gustaron en un tema que recordaba a Radiohead. Los demás demasiado monocordes y previsibles, de todas formas su sonido fue excelente.

En fin, desde NME-Europe damos la enhorabuena a todos por el nivel musical demostrado y en especial a las dos bandas ganadoras.

JFH.

The Kids Are Alright
Murcia's Sala 12yMedio took a break from its Microsonidos programme to play host to the final of the TalentoSOS contest with the five survivors from an initial 100 acts fighting for the right to play at this year's SOS 4.8 festival (and a cheque for 1,500€).

A heaving venue - a wonderful, albeit unusual sight lately for all music fans in Murcia -, a host of 'prestigious' onlookers there in support (Paco 'Leadings', Javi Vox from Second, Ángel Sopena and even His Majesty THE Nephew) added to MTV's Johan Wald presentational prowess were the perfect backdrop for what turned out to be an event filled with surprises. Each band had 20 minutes to show their worth, with a place for two of the five to be decided by the jury comprising Joan Luna, chief editor of Mondosonoro, Virginia Díaz from Radio 3 and Albert Salmeron, Musical Director of the Festival.

First up were Totana's Inkeys, a power pop six piece - perhaps boasting one guitar too many - who had certainly prepared themselves for the event. If crowd reaction was going to have an effect on the end result, then Inkeys' herd of groupies in the corner made sure the jury at least sat up and took notice. Oasis-like Opening track 'Es Mejor' soon gave way to their more characteristic sound, á la Teenage Fanclub or Cooper, but throughout they were slick on stage and bossed proceedings with a well-oiled, albeit conventional sound.

Inkeys were a good start to the evening, especially for those of us (myself included) who initially thought they were making up the numbers.

Next up were NewpaketS, a group who were destined never to connect with the crowd, but who offered the event's most alternative sound. When faced with a crowd of 'pop-junkies', a trip-hop group isn't going to get very far, but there's no debating the quality of this group. It was almost comical when most people didn't realise their set had ended, perhaps they'd be better off hitting Bristol for a while.

It was a case of it wasn't meant to be for Cartagena's Los Últimos Bañistas. Pre-match favourites in the eyes of many, a slight technical hitch to begin with and a cold nervy start meant this indie pop quartet spent the rest of their set racing against time to prove to the crowd and jury alike that they really are the biggest potential in the Region. A late spurt with tracks like 'Viajes Y Demonios' o 'Cual Es, ¿Lo Ves?' gave us a glimpse of what can be expected from a band we'll surely be hearing a lot more of in the future. However, on Thursday it wasn't alright on the night.

Varry Brava, the other band tipped for success before the event, certainly didn't waste their opportunity and it was no surprise to see them crowned joint winners. Hailing from Orihuela, but 'nocturnally based in Murcia', this five piece are 100% entertainment. They have the look, the presence and, above all, the tracks to get a crowd moving. 80s pop with 20th century energy reminding you a little of The Bravery or even Franz Ferdinand.


Their scintilllating 20 minute set, which contained easy-to-love tracks like 'No Gires', 'No Puedes' or the exhilarating 'Radioactivo' left the crowd on a high and it was clear in most people's eyes that Varry Brava were going to be busy during the Mayday bank holiday weekend.

You almost had to feel sorry for the fifth and final group, Yer Soul, the veterans of the event. These 'four huertanos aiming to shake the world' were the most conventional of the bands on show during the final (despite boasting a mini-orchestra for this set) and, while their sound is undoubtedly well-honed, you get the feeling they belong in Liverpool in the 60s rather than the 21st century. They did, however, manage prove the doubters at NME-Europe wrong with one track - 'No Light From The Fire'- which made Johan's introductory claim that they sounded lke Radiohead sound not quite so ridiculous.

The jury, then, had a relatively easy decision to make. Varry Brava and Inkeys taking the spoils.

The highlights? A full house, and five bands of undoubted talent. Oh yeah and two free tickets for the festival for NME-Europe, who also ended up with a prize on this enthralling evening. Congratulations to Inkeys and Varry Brava. If we can drag ourselves out of siesta mode for one weekend at the end of April, we might even see you at the SOS!

NC.

Un buen pulso a la escena murciana
Los 1.500€ para los ganadores y la posibilidad de tocar en el Festival SOS 4.8 junto a bandas como Franz Ferdinand o Los Planetas supusieron un aliciente suficiente para que más de 100 bandas se presentaran a este concurso regional de bandas emergentes. Los cinco finalistas representaban una muestra muy interesante de las últimas esperanzas de la música murciana y el público llenó la sala 12yMedio.

El primero de los finalistas en actuar fueron los totaneros Inkeys, que comenzaron con uno de los mejores temas: 'Es Mejor'. Se mostraron como una banda muy sólida, pero con demasiados cambios en su estilo, de un vocalista a otro, de inglés a español, del pop al rock, para los poco más de 20 minutos que tenían.

En una noche dominada por las guitarras, la actuación de Newpakets fue el gran contrapunto. Su electrónica 'lounge' fue el perro verde del concierto y nunca terminó de encajar en los gustos del público. Este estilo, tan diferente al del resto de competidores, les hizo caerse de las quinielas de los allí presentes, pero supusieron una buena muestra de que en Murcia no sólo se hace buen pop.


Precisamente en los cánones de este estilo se movió el concierto de Los Últimos Bañistas. Esta banda cartagenera, cuyo sonido recuerda a Lori Meyers, realizó un concierto de menos a más, acabando con su mejor versión con un gran tema de pop guitarrero.

Tras ellos saltaron al escenario de la 12yMedio los grandes favoritos de la velada: Varry Brava. La banda de Orihuela, con menos de un año de vida, se ha convertido en uno de los grupos de moda de la escena murciana. Cumplieron las expectativas de hacer bailar a un público entregado a su pop bailable con temas de su gran disco de debut: Ídolo. Música sencilla y divertida: la fórmula perfecta del éxito.

Cerró el concierto Yer Soul, el finalista del TalentoSOS con una trayectoria más consolidada. Su mezcla de rock y pop clásico cantando en inglés y en español no consiguió enganchar a un público cuyos pies aún se movían al compás del huracán Varry Brava. Yer Soul es un grupo de un gran virtuosismo, con un sonido excelso, el teclado recién incorporado a la banda ayuda a ello, pero que no destaca por su carisma, algo que acabaron pagando en las votaciones del jurado

En el resutado, poco que objetar, ganaron los dos grupos que más entonados estuvieron y que mejor respuesta tuvieron por parte del público: Inkeys y Varry Brava.

En definitiva: una buena oportunidad de escuchar los mejores grupos emergentes de Murcia y de ganar un par de entradas para el SOS, como hicieron 2/3 del staff de NME-Europe.

BP.


Last 5 live reviews on NME-Europe:
Clint (Murcia, Marzo 2010)
Neuman y Capsula (Murcia, Febrero 2010)
B-Side Festival (Molina de Segura, September 2009)
Lemon Pop Festival (Murcia, September 2009)
MTV Murcia Night (Cartagena, July 2009)

Read all Live articles

Thursday, 18 March 2010

NME-Europe Live: Clint, Sala Stereo, Murcia


NME-Europe is pleased to welcome another collaborator to the team. Basilio Pujante will be adding his particular musical to opinion to the team, another step forward for the site. His first contribution, a review of the Clint gig from earlier in the month. Welcome aboard, Basilio.

Clint: Disparo sin pólvora

Fecha: Sábado, 13 de marzo de 2010

Grupos: Clint

Local: Sala Stereo – Murcia.

Photo courtesy of  www.myspace.com/harryclint

Una desangelada Sala Stereo fue el escenario el pasado Sábado 13 de Marzo del concierto de la banda madrileña Clint en Murcia.

El ambiente era gélido, sólo nueve personas, cuando los cuatro Harrys (sus apodos responden al famoso personaje encarnado por Clint Eastwood) se subieron a las tablas de esta sala de la Avenida Mariano Rojas. Los responsables de la Stereo deberían buscar remedios (más publicidad de las actuaciones, por ejemplo) de una situación que ya se ha repetido en más de una ocasión.

El concierto empezó, por este motivo, un tanto raro y Clint nunca entró en calor. La ausencia de un vocalista tampoco ayuda a atraer al público y puede suponer un lastre en noches como la del Sábado con tan poco público. A pesar de ello, demostraron ser una sólida formación con un sonido bien engrasado. Su rock instrumental se caracteriza por la ausencia de bajo en la mayoría de las canciones, contrarrestada con un teclista que a veces se desdobla en trompetista.

Fueron precisamente los temas con trompeta o con trompa los que mejor sonaron en el concierto murciano de Clint. Estos instrumentos de viento aderezaron temas que recuerdan los westerns crepusculares y los sonidos de la frontera entre México y Estados Unidos. Menos atractivas resultaron las incursiones en un rock más "ruidista", donde la banda pierde la homogeneidad de los otros temas. Las canciones incluían efectos curiosos que contrastaban con la ausencia de un vocalista, como la voz de Constantino Romero (voz de Clint Eastwood en español) o fragmentos de programas de radio norteamericanos. Precisamente el Cint Eastwood albaceteño anunció el título de la última canción del concierto, y una de las mejores, 'Los Tipos Duros También Bailan', nombre también del último disco de la banda madrileña.

Con este tema acabaron los apenas 50 minutos de un concierto en el que los Clint nunca se sintieron cómodos en una sala casi vacía. Esperamos que en la próxima visita a la capital del Segura el ambiente esté más caldeado y el grupo de los Harrys pueda demostrar su valía.

BP

Latest live reviews on NME-Europe:
Neuman y Capsula (Murcia, Febrero 2010)
B-Side Festival (Molina de Segura, Septiembre 2009)
Lemon Pop Festival (Murcia, Septiembre 2009)
MTV Murcia Night (Cartagena, July 2009)

Read all Live articles

Tuesday, 9 March 2010

Album Review: The Courteeners


The Courteeners: 'Falcon' (UME Imports)

1. The Opener
2. Take Over The World
3. Cross My Heart & Hope To Fly
4.You Overdid It Doll
5. Lullaby
6. Good Times Are Calling
7. The Rest Of The World Has Gone Home
8. Sycophant
9. Cameo Brooch
10. Scratch Your Name Upon My Lips
11. Last Of The Ladies
12. Will It Be This Way Forever?


Towards the end of the wonderful debut St. Jude - NME-Europe's top album of 2008 - The Courteeners, those likely lads from Manchester, warned that we were 'Not Nineteen Forever'. It would appear that they too have taken heed of that message during the writing of Falcon, released on the UME Import label and under the guidance of producer Ed Buller (White Lies, Pulp, Suede)

Where St. Jude oozed swagger, Falcon is suave, albeit in an undeniable northern fashion. Extro- often becomes introvert and the leery lads are closer to lullabies than they are to lager louts. Those of you expecting more 'Cavorting', 'What Took You So Long?' or 'Not Nineteen Forever'-type tracks are not going to find them here, but don't be mistaken, Falcon is a terrific album in it's own right and one Fray and the gang can be extremely satisfied with.

The opener, cunningly titled 'The Opener' sets the mood. A track where lead singer Fray does a bit of soul-searching and seeks to reassure himself that he is still loved. Presumably aimed at his sweetheart, the track could almost be directed at his fans - a case of look we've changed a little since our last release, I hope you still like us (deep down I think you will). Whatever the story, the track is sublime.

'Cross My Heart & Hope To Fly' is as clear an indicator there is as to The Courteeners' change in focus. Dark, with a piercing piano back beat Fray expresses a clear desire to get the hell out of wherever he is. 'Lullaby' maybe the reason escape is on the agenda, but in between the upbeat 'You Overdid It Doll' (the first single from the album) ensures manic depression doesn't set in. The album is taking great shape.

'The Good Times Are Calling' brings about another upturn, while 'Sycophant', possibly the album's catchiest track, appeals to our honesty. Despite a darker feel to the rest of the album, Falcon doesn't lose it's way. The harsh and distorted 'Scratch Your Name Upon My Lips' gives way to the melodious 'Last Of The Ladies', while the lyrically acute 'Will It Be This Way Forever?' fittingly calls time on proceedings.

The Courteeners have progressed. This Liam from Manchester is starting to understand that it's best to engage brain before opening your mouth. You might need a couple of listens to adjust yourself to the new Courteeners, but ultimately the only logical conclusion to reach is that Falcon is a well-balanced, quality album.

NC

NME-Europe rating: 8.5/10
Top Track: 'Cross My Heart & Hope To Fly'

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Last 5 NME-Europe reviews:
Hot Chip: 'One Life Stand'
Vampire Weekend: 'Contra'
Los Campesinos!: 'Romance Is Boring'
Delphic: 'Acolyte'
The xx: 'XX'

Read all NME-Europe reviews